One of the most legendary and mysterious albums in Japanese psychedelic history. Led by producer Naoki Tachikawa and gathering top players like Kimio Mizutani, it takes 'the fusion of Buddhism and rock' as its theme — heavily distorted psych guitar, dark organ and sitar interlacing with Buddhist chanting, wood-block and bells into an otherworldly ritual. Originally released by Teichiku in 1971, with original copies fetching up to $4,000, now reissued on limited clear-yellow vinyl.
日本迷幻搖滾史上最傳奇、最神秘的專輯之一。由製作人立川直樹主導、集結水谷公生等頂尖樂手,以「佛教與搖滾的融合」為題——厚重失真的迷幻吉他、幽暗管風琴、西塔琴,與南無妙法蓮華經的梵唄、木魚、鈴鐺交錯,構築出一場超脫現實的迷幻祭儀。1971 年由 Teichiku 發行,原盤二手市場曾喊到 4000 美元,如今以限定透明黃彩膠再現。
A record that guides the listener back to inner calm amid a noisy, chaotic world. The debut solo album from Harlan Silverman, a member of Portland's 'Great Black Music' collective The Cosmic Tones Research Trio, built around the Indian bamboo flute (Bansuri) and fusing Indian classical, Japanese environmental music and Western ambient. Generous silence lets the sound breathe, closing on a profound question: 'What would peace actually sound like?' Released by Mississippi Records.