The Daily Dig

Welsh singer Duffy's debut, from the era when she stood alongside Amy Winehouse and Adele as an essential voice — and newly beloved via "Distant Dreamer" as the JoJo's Bizarre Adventure: Stone Ocean ending theme. The 1LP carries the original 10 tracks; the 2LP colored edition presents the full 17-track deluxe on vinyl for the first time, including the bonus "Stay With Me Baby".

南威爾斯歌手 Duffy 的首張專輯，與 Amy Winehouse、Adele 同期被視為必聽女聲，〈Distant Dreamer〉更因《JOJO的奇妙冒險 石之海》片尾曲再度圈粉。此次 1LP 收錄原版 10 首；2LP 彩膠則首次以黑膠形式完整收錄 17 首豪華版曲目，含 bonus track〈Stay With Me Baby〉。

Shoji Yamashiro and Geinoh Yamashirogumi's landmark score for Katsuhiro Otomo's Akira, originally issued only in 1988 and now highly sought after. Unlike Symphonic Suite Akira, this edition includes the film's audio and dialogue, with a tracklist identical to the Japanese original but a different sleeve. An unofficial pressing in short supply — no guarantee of another restock.

山城祥二與藝能山城組為大友克洋《阿基拉》譜寫的經典配樂，原版僅於 1988 年發行，如今身價不凡。與《Symphonic Suite Akira》不同，此版收錄電影中的音效與對白，曲目與日本原版一致但封套不同。屬非官方發行，數量稀少，售完不確定是否再有。

Tokyo DJ and selector DJ Notoya gathers '70s-'80s Tokyo gems that escaped the City Pop hype cycle: Naomi Chiaki, Yumi Murata, Nami Shimada, Chikara Ueda & The Power Station, Higurashi and more. Bread & Butter's "Memory" features Haruomi Hosono, Tatsuo Hayashi and Shigeru Suzuki. Many tracks see their first official release outside Japan, remastered by Nippon Columbia in Tokyo and cut for vinyl in Paris.

東京 DJ／選曲人 DJ NOTOYA 策劃，集結 70、80 年代東京那些沒被 City Pop 熱潮反覆炒作、卻好聽得不得了的作品：千秋直美、村田有美、島田奈美、上田力與 The Power Station、日暮し等。Bread & Butter〈Memory〉更有細野晴臣、林立夫、鈴木茂參與。多首曲目首次在日本以外正式發行，由 Nippon Columbia 重製母帶、巴黎針對黑膠處理。

Commissioned in 1987 by Sanyo as image music for a high-end air conditioner, originally a promo-only picture disc. Takashi Kokubo blends synthesizers with field recordings of surf and breeze — no attention-grabbing melodies, just a room opened to the sea wind, far from the city's heat and noise. The 2026 reissue is remastered by Kokubo himself, with new cover art he oversaw.

1987 年三洋為高級冷氣製作的形象音樂，原版為宣傳用非賣品圖膠。小久保隆以合成器結合海水、微風等自然錄音，沒有搶耳的旋律，像打開房間讓海風直接吹進來，帶人離開都市的炎熱與噪音。2026 再版由小久保隆本人重新母帶並親自處理新封面。

The first album in six years from UK jazz force Moses Boyd (Mercury nominee, MOBO winner). Rooted in the church music he grew up with, it smashes gospel, jazz, London sound-system culture, Caribbean rhythm and 808 bass together — pounding drums, sub-heavy lows and massed choirs building to near-explosive climaxes, as if church, London street and dancefloor shared one record.

英國新爵士要角 Moses Boyd（水星獎入圍、MOBO 獎得主）睽違 6 年的新作。從成長時期的教會音樂出發，把福音、爵士、倫敦音響系統文化、加勒比節奏與 808 重低音撞在一起，鼓聲猛烈、低頻下壓，大型合唱層層堆疊至近乎爆裂的高潮，像把教堂、倫敦街頭與舞池搬進同一張唱片。

French double bassist Kham Meslien's second solo album. Still centered on the bass — bowing, loops and organic textures — it travels from Icelandic northern solitude to the Caribbean and childhood memory. Where Fantômes...Futurs was a solo journey, this one opens the road to company: Roger Raspail on percussion, Laurent Bardainne on sax, David Neerman on vibraphone and Naïssam Jalal on flute and voice, drifting between jazz, ambient and contemporary classical.

法國低音提琴手 Kham Meslien 的第二張個人專輯。依然以低音提琴為核心，透過弓奏、Loop 與有機聲響，從冰島北境的孤寂風景走到加勒比海與童年記憶。這次加入 Roger Raspail 打擊樂、Laurent Bardainne 薩克斯風、David Neerman 顫音琴與 Naïssam Jalal 長笛人聲，游走於爵士、氛圍與當代古典之間。

The 2006 Radiohead tribute, reissued by original label BBE twenty years on. Mark Ronson, Bilal, Sia, Meshell Ndegeocello, Sa-Ra, The Cinematic Orchestra, Osunlade, Matthew Herbert and more recast "Karma Police", "Paranoid Android" and "Everything In Its Right Place" through soul, jazz and electronic lenses.

2006 年首發的 Radiohead 致敬專輯，發行二十年後由原廠牌 BBE 重發。Mark Ronson、Bilal、Sia、Meshell Ndegeocello、Sa-Ra、The Cinematic Orchestra、Osunlade、Matthew Herbert 等人以靈魂、爵士與電子語彙重新詮釋〈Karma Police〉、〈Paranoid Android〉、〈Everything In Its Right Place〉等名曲。

The complete early recordings of London trio The Comet Is Coming — Danalogue The Conqueror, Betamax Killer and King Shabaka — built around debut album Channel The Spirits and expanded with pre-2017 material, showing how they fused jazz, electronic sound design and psychedelic energy into vast cosmic sound. A 3LP deluxe edition.

倫敦三人團 The Comet Is Coming（Danalogue The Conqueror、Betamax Killer、King Shabaka）的早期錄音全集，以首張專輯《Channel The Spirits》為核心，補上 2017 年前的早期創作素材，完整展現他們如何把爵士、電子音效設計與迷幻能量熔成廣袤的宇宙之聲。3LP 豪華版。

The soundtrack to the first Infernal Affairs, Hong Kong cinema legend, scored by Chan Kwong Wing — officially licensed from Media Asia Films, pressed in Japan as a limited numbered red vinyl.

香港傳奇電影《無間道》首集原聲帶，陳光榮配樂，Media Asia Films 授權正式黑膠發行，日本製造限量編號紅色彩膠。

The soundtrack to the prequel Infernal Affairs II, scored by Chan Kwong Wing — Media Asia Films licensed, pressed in Japan as a limited numbered yellow vinyl.

《無間道》三部曲前傳第二集原聲帶，陳光榮配樂，Media Asia Films 授權，日本製造限量編號黃色彩膠。

The soundtrack to trilogy closer Infernal Affairs III, scored by Chan Kwong Wing — officially licensed on vinyl, pressed in Japan as a limited numbered colored edition; all three are available as a set.

《無間道》三部曲終章原聲帶，陳光榮配樂，Media Asia Films 授權正式黑膠，日本製造限量編號彩膠，三集可合購。

Recorded in 1973 on the eve of Masabumi Kikuchi's move to New York, a farewell studio-live session with fans in the room. It returns to a classic two-horn-plus-piano-trio lineup, Kosuke Mine's soprano sax at times sounding like the sho. All five pieces are Kikuchi's, including "Shūu", "Ginkai" and "Green Dance", driven by heavy, restrained grooves. Part of the Project Re:Vinyl series.

1973 年菊地雅章移居紐約前夕，邀請樂迷進錄音室留下的送別意味 Studio Live。回歸雙管＋鋼琴三重奏的正統編制，峰厚介的 Soprano Sax 有時聽來如日本傳統樂器「笙」，五首皆為菊地創作，〈驟雨〉、〈銀界〉、〈Green Dance〉以沉重內斂的律動推進。Project Re:Vinyl 系列黑膠。

Masabumi Kikuchi's 1970 landmark, named after his longtime nickname, with a twin-keyboard, twin-drum lineup featuring Kosuke Mine, Hideo Ichikawa, Yoshio Ikeda, Motohiko Hino and Hiroshi Murakami. His dreamy lyricism is wrapped in fiercer tension, peaking on the 20-minute "Dancing Mist" — "sharp yet resilient, refined yet visceral," in Yusuke Ogawa's words. Back on vinyl via Project Re:Vinyl.

菊地雅章 1970 年以長年暱稱命名的代表作，以雙鍵盤、雙鼓組的強力編制，集結峰厚介、市川秀男、池田芳夫、日野元彦、村上寛等日本爵士要角。唯美夢幻的聲響被更強烈的張力包覆，長達二十分鐘的〈Dancing Mist〉最為精彩。尾川雄介形容其「銳利卻富有韌性，洗鍊卻又直擊感官」。Project Re:Vinyl 再推黑膠。

Hokkaido pianist Ryo Fukui only began playing at 22 and cut his debut Scenery at 28. His fresh, delicate touch paints wide, heartfelt northern landscapes that still captivate listeners worldwide, highlighted by the classic "Early Summer". Reissued as a 180g Pure Vinyl audiophile pressing.

北海道鋼琴家福居良 22 歲才開始學琴，28 歲錄下首張專輯《Scenery》。清新細膩的琴聲描繪開闊又深情的北國風景，至今牽動世界各地樂迷；收錄大名曲〈Early Summer〉。此次以 180g 高音質 Pure Vinyl 規格再版。