The Daily Dig

The first full-length from Fukuoka singer-songwriter kiki vivi lily, built with a stacked cast of Keiichi Tomita, Sweet William, WONK and Kohei Ando (MELRAW). Her sweet, airy voice rides grooves rooted in Black music, drifting between soul, R&B, jazz and hip-hop — Sweet William's remix of 'AM0:52' is the polished standout, 'Caffeine Addiction' the instant hook. Reissued for her tenth anniversary on clear orange vinyl via Kissing Fish Records.

福岡創作歌手 kiki vivi lily 的首張完整專輯，由冨田恵一、Sweet William、WONK、安藤康平（MELRAW）等豪華陣容共同打造。甜美清新的歌聲搭上深植於黑人音樂的 Groove，游走 Soul、R&B、Jazz 與 Hip-Hop 之間，Sweet William Remix 的〈AM0:52〉洗鍊又充滿律動，〈カフェイン中毒〉則一聽就上癮。為紀念活動 10 週年，由 Kissing Fish Records 推出透明橘色彩膠再版。

Raised on Tatsuro Yamashita and Minako Yoshida, Toki Asako argues that what's worth inheriting from city pop isn't a fixed palette of sounds but the impulse to keep chasing the pop music of now. PINK takes city pop as its theme without copying the past, with Yoh Tomi producing and G.RINA writing two songs across ten tracks about daily life, love, loneliness and the glittering moments of the city. The tenth-anniversary edition returns on pink vinyl, each copy individually numbered.

聽著山下達郎、吉田美奈子長大的土岐麻子，認為 City Pop 真正值得繼承的並非固定音色，而是不斷探索當下流行音樂的精神。這張以 City Pop 為題卻不回頭複製舊聲音，邀來トオミヨウ擔任 Sound Producer、G.RINA 參與兩首作曲，十首歌描繪城市生活裡的日常、戀愛、孤獨與閃耀瞬間。十週年紀念版以粉紅彩膠重新登場，每張附獨立流水編號。

Before Different Class, 1994's His 'N' Hers was the record that pushed Pulp into the public eye, and an essential piece of nineties British guitar music. It holds 'Lipgloss', 'Babies' and 'Do You Remember the First Time?', threading glam rock, post-punk and synth-pop together while Jarvis Cocker's English wit, desire and everyday observation sharpen into the definitive Pulp voice. The 25th-anniversary edition was overseen by Steve Mackey and remastered at Abbey Road, pressed as a 180g gatefold 2LP.

在《Different Class》之前，1994 年的《His 'N' Hers》才是讓 Pulp 真正走進大眾視野的作品，也是 90 年代英搖不可錯過的一張。收錄〈Lipgloss〉、〈Babies〉、〈Do You Remember the First Time?〉等經典，Glam Rock、Post-Punk 到 Synth-Pop 的影響交織其中，Jarvis Cocker 式的英式幽默、慾望與日常觀察也在此逐漸成形。25 週年紀念版由 Steve Mackey 監製、Abbey Road Studios 重新母帶處理，180g 重量盤 2LP 搭配 Gatefold 封套。

One of the defining British rock albums of the nineties. Remastered last year for its thirtieth anniversary and originally tucked inside a deluxe box, this 2LP remaster finally gets a standalone release for the UK's National Album Day. The band chose ultra clear vinyl for the pressing, housed in a gatefold sleeve with printed inners that carry over the anniversary set's design.

90 年代英倫搖滾最重要的經典之一。去年為紀念發行 30 週年，《Different Class》重新母帶處理並以 2LP 收錄於豪華套裝中；此次配合英國 National Album Day，這套 2LP 重製版本首度獨立發行。特別由樂團選定 Ultra Clear 超透明膠壓製，搭配 Gatefold 雙開封套與印刷內袋，完整延續紀念套裝的設計。

Olivia Dean's much-watched second studio album keeps her warm, finely detailed voice at the centre, settling into a mature and easy register between soul, R&B and pop. The anniversary edition comes on metallic silver vinyl, cut half-speed and pressed at 180g.

Olivia Dean 備受矚目的第二張錄音室作品，延續她細膩溫暖的嗓音，在 Soul、R&B 與流行樂之間展現成熟而舒服的質感。週年紀念版以金屬銀色彩膠呈現，採 180g 重量盤加上 Half-Speed Master 半速刻片製作。

One of the key records Brigitte Fontaine and Areski Belkacem left on the Saravah label. Song, spoken word, ethnic percussion and minimal arrangements cross over one another as the pair push French chanson toward the avant-garde with the intimacy of chamber theatre. The two toy bears on the sleeve say it well: innocent and unsettling at once.

Brigitte Fontaine 與 Areski Belkacem 在 Saravah 廠牌留下的代表作之一。歌謠、唸白、民族打擊與極簡編制彼此交錯，兩人用近乎室內劇的方式把法國香頌推向前衛邊界，封面上兩隻玩具熊的畫面一如專輯本身，天真與詭異並存。

Don Cherry's 1973 large-ensemble record with the Jazz Composer's Orchestra is the fullest statement of his world-music vision. Indian, Turkish, African and Nordic folk material is pulled into free jazz syntax, and Carla Bley's orchestration lets the album swing between collective improvisation and stately written themes. The hand-drawn sleeve has long been a collector's landmark in its own right.

Don Cherry 與 Jazz Composer's Orchestra 於 1973 年錄下的大編制作品，是他「世界音樂」視野最完整的一次展開。印度、土耳其、非洲與北歐民謠的素材被拉進自由爵士的語法裡，Carla Bley 的樂團編制讓整張專輯在集體即興與莊嚴主題之間來回擺盪。手繪般的封面也早已是收藏者熟悉的風景。

A striking meeting between hauta and kouta master Eishiba and trumpeter Toshinori Kondo. The traditional poise of shamisen and voice runs into Kondo's electronically treated long tones, pulling the pleasure-quarter memory of Yoshiwara into a floating, weightless acoustic space — one of the finest crossings of Japanese traditional music and avant-garde improvisation.

端唄・小唄名家栄芝與小號手近藤等則的異色共演。三味線與唄的傳統身段，碰上近藤經過電子處理的小號長音，吉原的風月記憶被拉進一個漂浮而失重的聲響空間，是日本傳統音樂與前衛即興最漂亮的交會之一。

Joseph Jarman's second Delmark album, built from two extended pieces, 'Song To Make The Sun Come Up' and 'Song For Christopher'. Large-ensemble horns, recited voice and sudden evacuations of silence trade places across the record, making it one of the most ritual-minded documents of the early AACM. The pink photo-collage sleeve remains among Delmark's most recognisable designs.

Joseph Jarman 在 Delmark 留下的第二張個人作品，收錄〈Song To Make The Sun Come Up〉與〈Song For Christopher〉兩首長篇。大編制的管樂、人聲朗誦與突然撤空的靜默交替出現，是 AACM 早期最具儀式感的錄音之一；粉紅底拼貼封面也是 Delmark 時期最辨識度的設計。

A live album on Verve, catching Samara Joy bringing the weight of her voice and a real improviser's nerve into the small room at the Blue Note L.A. Post-Grammy she plays looser on stage, and the exchanges with her band run riskier and more relaxed than anything on her studio records.

Verve 發行的現場專輯，Samara Joy 把爵士人聲的厚度與即興的膽識帶進 Blue Note L.A. 的小場地。葛萊美加冕之後的她在現場更放得開，與樂團的互動遠比錄音室版本鬆弛而危險。

The double-LP score for Frieren: Beyond Journey's End, composed by Evan Call. Orchestra and voice carry the series' central feelings about time, farewell and the long road, including the main theme 'Journey of a Lifetime' and the thunderous 'Zoltraak'. This is the October restock of the coloured-vinyl pressing.

《葬送的芙莉蓮》原聲帶雙黑膠，由 Evan Call 譜寫。管弦與人聲編制撐起這部作品關於時間、告別與漫長旅程的核心情緒，〈Journey of a Lifetime〉與氣勢驚人的〈Zoltraak〉都收錄其中。此次為十月補貨的彩膠版本。

Olivia Rodrigo's debut, the record that swept outward from 'drivers license' and turned teenage heartbreak into a language spanning bedroom pop and pop-punk. This is the limited 'ego crush' yellow vinyl edition, pressed in very small numbers.

Olivia Rodrigo 的首張專輯，從〈drivers license〉開始席捲全球，把少女心碎寫成橫跨 bedroom pop 與 pop-punk 的語言。此次為限量 Ego Crush 黃色彩膠版本，數量非常有限。

On her second album Rodrigo pushes the guitars forward and doubles down on both anger and self-mockery; 'vampire' and 'bad idea right?' move her from heartbreak narrator to something sharper and more self-interrogating. Issued here as the limited 'the sky is green' translucent green vinyl.

第二張專輯《GUTS》把吉他推得更前面，憤怒與自嘲同時加倍，〈vampire〉、〈bad idea right?〉讓她從心碎敘事者轉向更尖銳的自我審視。限量 The Sky Is Green 透明綠彩膠版本。

Miki Matsubara's 1980 debut, home to 'Mayonaka no Door ~ Stay With Me', the song that found a worldwide audience decades later. Tetsuji Hayashi's arrangements push urban atmosphere and AOR polish to their peak, making this one of city pop's undisputed starting points. Restocked for early November 2026 at a new low price.

松原みき 1980 年的首張專輯，收錄讓她在數十年後重新被全世界發現的〈真夜中のドア～Stay With Me〉。林哲司的編曲把都會感與 AOR 的流暢度拉到頂點，是 City Pop 無可爭議的起點之一。此次為 2026 年 11 月再入荷，價格再創新低。

A24's soundtrack to Beef season two, scored by Finneas O'Connell. The electronic textures and subtle melodic writing he favours carry the show's dramatic turns, while spare instrumentation and precise production push the emotional weight of each scene to the front.

A24 出品的《怒嗆人生》第二季原聲帶，由 Finneas O'Connell 擔綱配樂創作。他擅長的電子音色與微妙旋律烘託出劇情的戲劇性發展，精簡的樂器編配與精準製作突顯了各場景的情感重量。

One of the essential solo albums from Chinese rock's golden era. Having left Black Panther, Dou Wei delivered Black Dream in 1994 — gloomy, inward, shot through with psychedelia and post-punk — standing in sharp contrast to the shouted rock of its moment. The figure curled on the railway tracks on its cover became a generational image in itself.

中國搖滾黃金年代最重要的個人專輯之一。離開黑豹的竇唯在 1994 年交出《黑夢》，陰鬱、內省、帶著迷幻與 Post-Punk 的質地，與同期的吶喊式搖滾形成強烈對比，封面鐵軌上蜷縮的身影也成了一代人的集體記憶。

The only studio album by He Yong, one of the 'Magic Stone three'. 'Garbage Dump' and 'Bell and Drum Towers' set piercingly direct lyrics against restless guitars to document the disorder and anger of nineties Beijing, and it still hits as hard as anything in Chinese rock.

「魔岩三傑」之一何勇的唯一一張錄音室專輯。〈垃圾場〉、〈鐘鼓樓〉以直接到刺人的詞與躁動的吉他寫下 90 年代北京的失序與憤怒，至今仍是中國搖滾最具衝擊力的一張。

Black Panther's self-titled 1991 debut, the defining record of their Dou Wei–fronted era. 'No Place to Hide' and 'Don't Break My Heart' fuse hard rock arrangements with melodies built to carry, making it a commercial and cultural landmark that Chinese-language rock has never quite repeated.

黑豹樂隊 1991 年的同名首張專輯，竇唯擔任主唱時期的代表作。〈無地自容〉、〈Don't Break My Heart〉把硬搖滾的編制與朗朗上口的旋律結合，是華語搖滾史上銷量與影響力都難以複製的一張。