The Daily Dig

After Lo-Fi Ghibli, Lo-Fi City Pop and Timeless Lo-Fi, the Japanese beatmaker turns to anime standards. Ten themes including 'Kimi no Shiranai Monogatari', 'Tamashii no Refrain' and 'Moonlight Densetsu', re-laid over unhurried drums. Pressed on pink vinyl, out January 2027.

繼 Lo-Fi Ghibli、Lo-Fi City Pop 與 Timeless Lo-Fi 之後，日本 Lo-Fi Beats 製作人 Grey October Sound 把目標轉向動漫金曲。〈君の知らない物語〉、〈魂のルフラン〉、〈ムーンライト伝説〉等十首在慵懶的節拍底下重新鋪開。粉紅色彩膠，二〇二七年一月發行。

The fourth album from her Shirley Wong era, and the turning point where her folk-sweet delivery gave way to a cooler, more urban voice. This Abbey Road-remastered 180g pressing polishes up that mix of youth and distance.

王靖雯時期的第四張專輯，也是她從民謠甜嗓轉向都會感聲線的關鍵轉折。艾比路錄音室重新製作的 180g 黑膠版本，把當年那份青澀又帶著疏離的氣質重新拋光。

Faye Wong's most wilful record and the one fans canonise, leaning hard into Cocteau Twins-style wordless vocals and non-narrative lyrics until pop song form nearly dissolves. Reissued on vinyl from an Abbey Road master for the first time.

王菲最任性也最被樂迷奉為神作的一張，大量借鏡 Cocteau Twins 的夢囈唱法與非敘事歌詞，幾乎放棄了流行歌的格式。首度以艾比路母帶製作的黑膠復刻。

Her comeback record after returning to Hong Kong from New York, carrying the hit that made her a household name. That side profile at a bus window remains one of Cantopop's most recognisable images.

王靖雯自美返港後的復出作，收錄〈容易受傷的女人〉，也是讓她真正走紅的一張。封面那張公車窗邊的側臉，至今仍是香港流行樂最有辨識度的影像之一。

A Cinepoly-era retrospective gathering her defining nineties material across two LPs. The easiest answer for anyone still deciding where to start.

新藝寶時期的精選，一次收齊她九〇年代最具代表性的曲目，雙黑膠編排。給還沒決定要從哪一張入坑的人最省事的答案。

The title track was the first lyric she wrote herself, issued in both Mandarin and Cantonese, and marks the point where she started steering her own expression. The black-and-white embrace on the sleeve matches the stubbornness of the title.

同名主打是她第一首自己填詞的作品，國語與粵語雙版本並存，也是王靖雯開始掌握自我表達的起點。黑白封面裡那個擁抱的姿勢，恰好對應了歌名的固執。

A preview of the Cocteau Twins affinity to come, with production already drifting toward haze and space. The title track is one of the earliest mature examples of her murmured delivery.

與 Cocteau Twins 結緣之前的預告，製作上已經明顯往迷離與空間感靠攏。〈胡思亂想〉本身是王菲式囈語唱腔最早的成熟範例之一。

A full album of Teresa Teng covers, re-tracing those Mandarin standards with nineties studio warmth. Conceived as a themed project, it ended up one of her best-selling Mandarin records.

整張向鄧麗君致敬的翻唱專輯，用九〇年代的錄音質感重新描摹那些國語老歌。原本是企劃性質的作品，結果成了王菲銷量最好的國語專輯之一。

The title says the whole attitude. This is where the tug between commercial production and personal taste shows most plainly, with restless arrangements hiding under a Cantopop frame.

專輯名稱已經講完了態度。這是她在商業製作與個人趣味之間拉扯最明顯的一張，粵語流行的骨架底下藏著不少不安分的編曲。

Her tightest stretch working with Zhang Yadong, when electronics and alt-rock pushed into her Cantonese material. The painted butterfly wings on the sleeve match how far the record flies from standard pop form.

與張亞東合作最緊密的階段，電子與另類搖滾元素大舉進入她的粵語作品。封面那雙彩繪蝴蝶翅膀，恰好對應了這張專輯在流行格式裡的放飛。

A 1993 Cantonese album caught mid-transition from idol singer to author of her own material. The arrangements still behave, but the vocal line already refuses to settle.

一九九三年的粵語專輯，正值她從偶像歌手轉向創作型歌手的過渡期。編曲仍然規矩，但唱腔已經開始出現後來那種不肯妥協的線條。

The title track is her most-sung Mandarin song, and that floating chorus all but defines what people mean by a Faye Wong vocal. It's also the record that opened the Mandarin market for her.

同名曲是她國語作品裡傳唱度最高的一首，副歌那種往上飄的處理幾乎定義了王菲的辨識度。也是她國語市場真正打開的一張。

Her only studio album, back in print after more than a decade. Ferreira wraps pop melody in abrasive guitar noise, and it remains the record everyone was waiting for after 'Everything Is Embarrassing'. Available on split and iridescent green vinyl.

睽違十多年首度重發。歌手、模特兒、演員多重身分的 Sky Ferreira 唯一一張錄音室專輯，用粗糙的吉他噪音把流行旋律裹起來，〈Everything Is Embarrassing〉之後所有人等的那張。此次推出分裂色與虹彩綠兩款彩膠。

U2's sixteenth studio album and their first new record in nine years, twelve tracks produced by Jacknife Lee. Rosalía guests, and it carries what turned out to be Dolly Parton's final studio collaboration. Out November 13.

U2 第十六張錄音室專輯，也是九年來的首張新作，十二首曲目由 Jacknife Lee 製作。除了力邀 Rosalía 參與，也收錄 Dolly Parton 生前最後一次進錄音室的合作。十一月十三日發行。

Before they learned to be gentle, they learned how to blow a speaker. Their 2001 second album is the loudest thing they made; this twentieth-anniversary edition is remastered and pressed on purple vinyl for the first time.

在他們學會溫柔之前，先學會的是怎麼把喇叭震壞。二〇〇一年的第二張專輯是 Explosions in the Sky 最炸的一張，二十週年紀念版重新母帶處理，首度壓製紫色彩膠。

For a lot of people this was the first post-rock record they ever heard. The 2003 landmark returns remastered for its twentieth anniversary, on opaque red vinyl in a trifold sleeve with an etched D side.

很多人認識後搖滾的第一張。二〇〇三年的代表作，二十週年紀念版重新母帶處理，首度壓成不透明紅色彩膠，三折開摺封套，D 面附蝕刻設計。

Four sides, each one a single long movement, threaded with street recordings, degraded tape and scraps of conversation, like a night-long train ride where the view outside shifts from barren to vast. Plenty of people started here, and plenty who've had it for twenty years still call it the best one. Ninety minutes isn't short, but once the needle drops it goes quickly.

四面黑膠，每一面就是一首完整的長篇樂章，中間穿插街頭錄音、老舊錄音帶和零碎對話，像一趟很長的夜車，窗外風景慢慢從荒涼變成遼闊。很多人從這張開始認識他們，也有很多人聽了二十幾年，依然覺得這是最好的一張。一個半小時不短，但只要放下唱針，時間就過得很快。