The Daily Dig

The long-awaited Japanese pressing of maya ongaku's second album. More inward-looking than their debut, with saxophone, guitar and electronics drifting through thin air — ambient music taken apart and reassembled as a band.

神奈川三人組 maya ongaku 的第二張專輯，日盤黑膠終於到貨。比起首作更往內縮，薩克斯風、吉他與電子聲響在稀薄的空氣裡緩緩漂浮，像把環境音樂拆解後重新黏合成一支樂團。

The first solo album from DYGL guitarist Yosuke Shimonaka, its sleeve a direct nod to Masayoshi Takanaka. It picks up the lineage of 70s and 80s Japanese fusion and crossover, rebuilding that era's imagined future with a tropical instrumental sensibility.

DYGL 吉他手下中洋介的首張個人專輯，封面直接致敬高中正義。承接 70、80 年代日本 fusion 與 crossover 的血統，用 2026 年的手法重新想像那個年代所描繪的未來，通篇是熱帶感十足的器樂演奏。

Recorded at Danish Radio in 1969, Tchicai's quintet pulls in Han Bennink, Misha Mengelberg, Pierre Dørge and Hugh Steinmetz — a meeting point between the Nordic scene and the Dutch ICP camp. Reissued by Italian label Formalibera.

1969 年丹麥廣播電台錄音，Tchicai 領軍的五重奏找來 Han Bennink、Misha Mengelberg、Pierre Dørge 與 Hugh Steinmetz，北歐與荷蘭 ICP 陣營的一次交會。由義大利廠牌 Formalibera 重新發行的珍貴錄音。

Tchicai and his large ensemble Cadentia Nova Danica live at London's Wigmore Hall in 1968 — an audio document from free jazz's most restless years, another entry in Formalibera's reissue programme.

Tchicai 與他的大編制樂團 Cadentia Nova Danica 1968 年在倫敦 Wigmore Hall 的現場，自由爵士最躁動的那幾年留下的聲音檔案，同樣來自 Formalibera 的重發計畫。

A new record from Swedish experimental electronic artist Klara Lewis. A specialist in field recording and sampling, she opens with abrupt, strangely warped sounds; fragmented environmental recordings get sliced into gloomy rhythms — unsettling, yet oddly magnetic.

瑞典實驗電子音樂家 Klara Lewis 的新作，擅長 Field Recording 與取樣的她，開場便以各種突如其來、奇異扭曲的聲響襲來，殘缺的環境錄音被切割成陰鬱的節奏，怪異卻又散發著一種奇妙的吸引力。

Joji's fourth album, his first since leaving 88rising, back in stock as the out-of-print prism colored vinyl with poster. Haunting melodies pull against gritty, atmospheric production, turning his familiar inner turmoil into something strangely beautiful.

Joji 離開 88rising 後的第四張專輯，絕版稜鏡彩膠難得釋出，附海報。陰鬱的旋律線與粗糙卻空靈的製作互相拉扯，把他一貫的內在矛盾寫成某種奇異的美。

A creme-colored vinyl edition limited to 150 copies. Six tightly written tracks, all created and produced by Oddisee himself, with the full instrumental set on the B-side that lays bare his warm drums and jazz-leaning samples.

THT 獨家供應的奶油白彩膠，限量一百五十張。精煉的六首全由 Oddisee 一手創作製作，B 面收錄整套 instrumental 版本，把他那套溫厚的鼓組與爵士取樣攤開來聽。

A compilation of Naruto's signature themes — ten tracks including ASIAN KUNG-FU GENERATION's "Haruka Kanata", FLOW's "GO!!!", Akeboshi's "wind" and ORANGE RANGE. The white vinyl edition is limited to 1000 copies and restocks in October, with the black pressing back at a new low price.

火影忍者歷代主題曲合輯，ASIAN KUNG-FU GENERATION〈遥か彼方〉、FLOW〈GO!!!〉、Akeboshi〈wind〉、ORANGE RANGE 等十首一次收齊。限量白色彩膠僅發行一千張，十月再補貨，黑膠版也再創低價。

The soundtrack to the Cyberpunk: Edgerunners series, built by Cyberpunk 2077 composers Marcin Przybylowicz and P.T. Adamczyk alongside Silent Hill's Akira Yamaoka — Night City's neon and velocity written straight into the electronics. Restocking for preorder in early October.

《賽博龐克：邊緣行者》影集原聲帶，由電馭叛客 2077 的音樂班底 Marcin Przybylowicz、P.T. Adamczyk 聯手寂靜嶺的山岡晃打造，夜城的霓虹與失速感全寫進這些電子聲響裡。十月初再補貨預訂。