Jazz-Funk / Brazilian / Pre-Acid Jazz 1983
Onward International
Foot In The Door
via Tokyo Buy Buy Diary
View post →
Monday, September 21, 2026 • Vinyl Finds from Around the World
Predetermination
Unreleased 1964 tapes surfacing after more than sixty years: Copenhagen's underground Contemporary Jazz Quartet joined by Gary Peacock and Sunny Murray — the very rhythm section behind Albert Ayler's Spiritual Unity. Two basses form the core, Peacock's bowing and racing pizzicato tangling with Steffen Andersen, while Murray dissolves the pulse into wave-like drumming that pushes the group into wide-open improvisation. Ferocious, yet still carrying the lyricism and warmth particular to Danish players. Issued by Formalibera, Alga Marghen's free jazz imprint, with liner notes by Mats Gustafsson; 300 copies worldwide.
Standing Circle
Melbourne's Standing Circle, led by guitarist Larry Crestani, who plays the Ethiopian kraar alongside guitar, percussion and voice, lending the group a bright harp-like shimmer. Their debut album collects eight pieces recorded live at The Grove in Melbourne, moving between spiritual jazz and jazz-funk grooves; the nine-minute opener 'Liftoff' is especially lovely — spacious, clear and meditative, recalling the luminous sound of the Gondwana Records catalogue. The band is a rotating cast of Melbourne players, so improvisation runs through everything. Vinyl on Melbourne label La Sape Records.
Death Stranding: Songs From The Video Game
The song collection from Hideo Kojima's Death Stranding, back in stock in October after the 3LP sold out again. Iceland's Low Roar anchors the set — 'Don't Be So Serious', 'Bones', 'I'll Keep Coming' carry the whole lonely delivery run — alongside Chvrches' title track 'Death Stranding', Silent Poets' collaborations with Leila Adu and Okay Kaya, and Apocalyptica's 'Path'. Wide, desolate music that gathers up the game's sense of crossing an emptied world.
Heaven, Wait
Quebec dream-pop duo Ghostly Kisses: Margaux Sauvé's voice melts you the moment she opens her mouth, set against Louis-Étienne Santais's finely wrought arrangements for a sound that's airy and quietly healing. Their 2022 debut Heaven, Wait was recorded with a real orchestra at Fame's Studio in North Macedonia, letting a minimal bedroom-pop foundation open out into an immersive, half-lit soundscape. Restocked on limited white vinyl.
Juan Pablo: The Philosopher
The follow-up that rode the momentum of their debut and took Best Jazz Album at the Gilles Peterson Worldwide Awards, selling out on vinyl across that year's UK tour. The London five-piece fuse the street energy of jungle, grime and hip-hop with African diasporic traditions, Fela Kuti's afrobeat spirit running through the whole thing, and drummer Femi Koleoso hitting hard enough to convince even longtime Tony Allen devotees. Recorded at Abbey Road, mixed by Floating Points and Matt Mysko.
Ghost Of Tsushima (Music From The Video Game)
The long-out-of-print 3LP of the Ghost of Tsushima score, restocked in October. Chasing an air of Eastern mystery, the game's team brought in Shigeru Umebayashi — Wong Kar-wai's longtime collaborator on In the Mood for Love and The Grandmaster — and paired him with award-winning screen composer Ilan Eshkeri for the sweeping orchestral side. Umebayashi leans heavily on shamisen, shakuhachi, koto and taiko, giving the whole score a commanding Japanese cast. Very limited quantities.
The horns in the intro land like an alarm calling the floor to attention, and forty-odd years on the spell hasn't broken — no wonder this is treated as a lost classic of the pre-acid-jazz era. It came out of one near-magical night, cut around the same time and place as Sade's Diamond Life by a cast of top London session musicians, several of whom went on to play on Working Week's Working Nights. The title comes from a true story: they hauled the master tape around every London label until one door finally opened. Now reissued complete with all three tracks by UK label Jazz Room, with the Brazilian heat of 'Samba Doo Bonnay' still impossible to resist.