Wednesday, September 9, 2026 • Vinyl Finds from Around the World
Selected Works I
Sarah Davachi’s minimalism weaves classical instruments like organ and harpsichord with analog synthesizers, using long, delicate sustained tones to dissolve the line between traditional and non-traditional sound. Compiled by the Disciples label, Selected Works I gathers fragments, sketches and practice materials scattered outside her finished records from 2011–2021 — an ideal way into her many facets.
Selected Works II
The second volume of Disciples’ survey of Sarah Davachi’s prolific 2011–2021 output. Continuing her minimalist language of interlacing organ and synthesizer, it collects sketches and fragments left outside her finished albums — partial portraits that reveal the gravitational pull between traditional and non-traditional sound.
The Will of Tongues
A new release on Sarah Davachi’s own Late Music label, gathering five solo works written for historic organs across the US, Canada and the Netherlands, plus three commissioned pieces. Across 140 minutes and shifting ensembles she performs alongside numerous musicians and choirs — an extension of her minimalist thinking that mirrors the composer against ever-changing sonic forms.
Thank You
The first solo album from Beastie Boys’ Mike D since 2011. The lead single alone had fans buzzing — rugged electronic drums with the force of The Chemical Brothers layered with a Thee Oh Sees hue, pointing at a future-facing sound. Available on clear and purple vinyl.
I Love My Computer
The debut album from Australian electronic producer Ninajirachi (real name Nina Wilson), built around her relationship with the computer — technology as both medium and a mirror for reflection. She’s remixed Princess Nokia, Deadmau5 and The Neptunes and toured with Charli XCX and Porter Robinson. This is a new colored-vinyl pressing.
HOOMAN AFTER ALL
Having broken through internationally with “The Rumbling” from Attack on Titan: The Final Season, SiM deliver their seventh original album. The famously self-produced band work with an outside producer, Jon Lundin, for the first time, on tracks including “BLiNDEYES” (feat. Yukina of Hanabie.).
A 1980 gem from New Orleans funk drummer Idris Muhammad, released on California’s small Theresa Records label with an all-star cast — Pharoah Sanders, George Coleman and Ray Drummond — engineered by the legendary Rudy Van Gelder. From the bass-riff-driven title track to the free-jazz interplay of Sanders and Coleman on “GCCG Blues,” it balances raw power with finesse.