The Daily Dig

An early album by pianist Satsuki Shibano, originally on Japan's Newsic label and now pressed to vinyl for the first time. Known in the '80s for her Erik Satie interpretations, here she reworks Pascal Comelade and Satie, folding drum machines, synths and domestic-sound experiments into her neo-classical piano — one of the most beloved records on the ambient-defining label. Reissued by Switzerland's WRWTFWW.

現代鋼琴演奏家柴野さつき早期由 Newsic 廠牌發行的專輯，首次製成黑膠。80 年代她以大量演繹 Erik Satie 作品受到矚目，本作則重新詮釋 Pascal Comelade 與 Satie，在新古典鋼琴之外加入鼓機、合成器與家庭音樂實驗，成為這個以環境音樂為識別的廠牌中最惹人喜愛的一張。由瑞士 WRWTFWW 再發，12 月發行。

Triple Fire's first live album, expanding the core quartet to a near-"complete" seven-piece with Wakana Ikeda (flute), Shigeki Numazawa (keys) and Shimada Boy (percussion). Drawn from a February 2026 project where the band played the same setlist three times in one day and picked the best takes, it layers Afrobeat, post-punk and funk under Yasunao Yoshida's unmistakable slack-yet-fevered vocals.

Triple Fire 首張現場專輯，原 4 位團員再加入池田若菜（長笛）、沼澤成毅（鍵盤）、シマダボーイ（打擊），以近乎「完全體」的 7 人編制登場。專輯源自 2026 年 2 月「三本勝負」企劃——同一天以相同 setlist 連演三場，再挑選最佳 take。Afrobeat、Post-Punk、Funk 層層交疊，加上吉田靖直獨特的脫力吟唱，10 月 28 日限定發行。

Not Ethiopian music, nor spiritual jazz, but "yumi kagura" — bow-shrine ritual music from Ihinaga Hachiman Shrine in Hiroshima, designated an intangible folk cultural property. A real bow is struck with thin bamboo to produce uncanny timbres and rhythms, layered with small metal percussion, floating flute and startlingly magnetic voices. Drawn from a 1991 recording preserved by the late gūji Shigeo Tanaka; this 10th-anniversary CD adds a chant by Ritsuko Tanaka.

這不是衣索比亞音樂，也不是靈性爵士，而是廣島縣府中市井永八幡神社流傳、被指定為無形民俗文化財的「弓神樂」。以真正的弓為核心，用細竹敲擊弓弦製造奇異音色與節拍，疊上摺鉦、漂浮笛聲與極具牽引力的人聲。源自 1991 年錄音、已故宮司田中重雄的典藏紀錄，10 週年重製 CD 另收田中律子唱誦作為 bonus。

Experimental composer Warren Burt's early-1990s "A Certain Spice" is a nearly six-hour oddity written for interactive computer-controlled synthesizer. Ranging from Sun Ra, Elliott Carter and Charles Ives to ancient Greek modes, Burt deliberately renders it in cheap, gaudy synth tones and embraces the machine's "errors," letting orthodox structures drift into fascinating chaos. This EM Records edition excerpts the final three movements — an edit on LP, the full version plus Burt's own liner notes on CD.

實驗作曲家 Warren Burt 於 1990 年代初創作的《A Certain Spice》，是一部為互動式電腦控制合成器而寫、近六小時的奇作。靈感橫跨 Sun Ra、Elliott Carter、Charles Ives 到古希臘調式，Burt 刻意以廉價俗氣的合成器音色輸出，再擁抱機器運算不斷冒出的「錯誤」，讓正統結構逐漸偏移成荒謬又迷人的混沌。本次 EM Records 節錄最終三個樂章，LP 為剪輯版，CD 附完整長版與 Burt 親撰解說。

The pivotal record made just before the birth of masked hip-hop legend MF DOOM — KMD's hard-won classic "Black Bastards." Built by brothers Subroc and Zev Love X (the future MF DOOM), it was frozen for years after Subroc's sudden death and label disputes over its controversial cover, only surfacing later to become the origin point of DOOM's masked rebirth. Restocked as a 2LP.

嘻哈傳奇面具人 MF DOOM 誕生前的關鍵之作，KMD 歷經磨難的傳世經典《Black Bastards》。由弟弟 Subroc 與哥哥 Zev Love X（日後的 MF DOOM）共同打造，錄音尾聲 Subroc 意外驟逝，廠牌又因爭議封面將專輯冰封，直到多年後才正式問世，成為 MF DOOM 戴上面具浴火重生的傳奇起點。雙片裝黑膠補貨。

New York post-punk mainstays Interpol land on Jack White's Third Man Records with a live recording cut straight to acetate. Captured in the Blue Room using the nearly lost late-'50s "direct-to-acetate" technique — no overdubs, no retakes, sound etched into the master by a 1955 Scully lathe — it captures Interpol's cold, taut, high-tension post-punk in pure analog.

紐約後龐克代表 Interpol 登上 Jack White 創立的 Third Man Records，帶來極致現場錄音。錄製於 Blue Room，採用 50 年代末近乎失傳的「Direct-to-Acetate」現場直接刻片技術，一鏡到底、不經任何後製疊錄，聲音直接以 1955 年古董 Scully 刻片機刻入母盤。純粹類比工藝下，完美捕捉 Interpol 冷冽緊繃、極富臨場張力的後龐克底蘊。

The debut album from NYC upstarts Starcleaner Reunion. Steeped in '90s spirit — Jo Roman's cool, ethereal, faintly mechanical Continental vocals recall Stereolab's Lætitia Sadier — it weaves retro-futurist '60s/'70s synths over Neu!-style krautrock/motorik pulses, threading indie rock, shoegaze and space pop together.

紐約獨立新銳 Starcleaner Reunion 的首張正式專輯《Umbrella》。聲響深具 90 年代靈性：主唱 Jo Roman 冷靜空靈、略帶機械低語的歐陸唱腔神似 Stereolab 的 Lætitia Sadier；編排融合 60/70 年代復古未來感合成器，底層以 Neu! 式的 Krautrock／Motorik 循環推進，將 Indie Rock、瞪鞋與太空流行完美交織。9 月 25 日發行，透明／黑／紫色潑墨彩膠為限定版。

Standing alongside cero and mitsume in 2010s Tokyo indie, Mori wa Ikiteiru left only two records, both now reissued. Formed in 2012 around Takuro Okada, the band absorbed country, soft rock, ambient, jazz and blues in just three years. This self-titled debut is the pick — the gentle opener "Hirusagari no Yume" and the nine-minute "Rondo" drift like an endless dream. Remixed by the members themselves for P-Vine, with obi.

在 2010 年代東京獨立場景與 cero、mitsume 齊名的樂團森は生きている，生涯僅存兩張作品確定重發。樂團 2012 年以岡田拓郎為核心組成，短短三年廣泛吸收 Country、Soft Rock、Ambient、Jazz、Blues 等養分。大推薦這張同名專輯——開場〈昼下がりの夢〉輕柔揭幕，長達九分鐘的〈ロンド〉更是必聽，朦朧歌聲一路漂流如無盡幻夢。P-Vine 由成員親自重新混音，附 Obi。

"Good Night" (2014), the second and final album from Mori wa Ikiteiru before their 2015 split. With fine playing and quietly literary lyrics, they forged a world blending country, soft rock, tropical and jazz. The band's name comes from the ending of a Doraemon story — "let's just say it was a dream." Reissued by P-Vine after more than a decade, remixed by the members.

森は生きている 2014 年的第二張、也是最後一張作品《グッド・ナイト》。樂團在 2015 年解散前，以出色的演奏與帶有淡淡文學氣息的歌詞，形成融合 Country、Soft Rock、Tropical、Jazz 的獨有世界。團名取自《哆啦A夢》一則故事的結尾：「就當作是做了一場夢吧。」此次由 P-Vine 睽違十多年重發，成員親自重新混音。

A reissue of Sunny Day Service's acclaimed "Dance to You," its cover illustrated by Hiroshi Nagai, pressed to vinyl for the eighth time to mark its 10th anniversary. Remixed and recut from the original 6mm master tapes for sharper sound, it gathers favorites like "Sakura Super Love" alongside the beloved "Setsuna," a searing live staple. 2026 also marks 30 years since their landmark "Tokyo."

Sunny Day Service 名作《DANCE TO YOU》確定再版，封面插畫由永井博繪製，為紀念發行 10 週年迎來第 8 次黑膠壓製。此次使用當年保存的 6mm 母帶重新混音刻製，聲音更鮮明；除〈桜 super love〉、〈苺畑でつかまえて〉等人氣曲，大名曲〈セツナ〉更是現場必演的撕心裂肺定番。2026 年同時也是《東京》發行 30 週年。

Marking her 40th anniversary, Mariko Nagai's 1987 debut album "Jokigen" gets its first proper vinyl reissue. Featuring all ten tracks including her signature debut single "Oh, Moonlight," fully remastered and recut to 2026 specs, it brims with the crisp late-'80s energy and city-pop/J-pop bounce of her youth.

即將迎來出道 40 週年的永井真理子，1987 年個人首張出道專輯《上機嫌》推出正式黑膠復刻。完整收錄出道代表曲〈Oh, ムーンライト〉等全 10 曲，全篇重新數位重製並以 2026 最新規格重新刻片壓製，充滿 80 年代末最標誌性的清爽活力與 City Pop／J-Pop 律動，青春感滿溢。

Bullion — the producer behind beguiling records for The xx's Oliver Sim, Avalon Emerson, Carly Rae Jepsen, Westerman and Ben Howard — steps out under his own name for "Nearly" on the esteemed Ghostly label. A gem of electronic pop that embraces imperfect beauty with romantic shimmer and lasting craft, it shows his writing and arranging at full stretch, finding fine-grained nuance in restraint while exploring change, desire and unstoppable creativity.

曾為 The xx 的 Oliver Sim、Avalon Emerson、Carly Rae Jepsen、Westerman、Ben Howard 打造迷人聲響的 Bullion，這次以個人名義在名廠 Ghostly 推出全新專輯《Nearly》。這是一張擁抱不完美之美、兼具浪漫星光與雋永質感的電子流行精品，將他深厚的創作與編曲功力發揮到極致，在克制中展現細膩層次，探討改變、慾望與源源不絕的創造力。

Manchester/Berlin duo Space Afrika return with the ambitious "Quiet Storm," fusing ambient, trip-hop, techno and modern classical into rugged yet delicate urban dub soundscapes. Grander in scope, it turns personal history into a deep, cathartic abstract journey. Contemporary artist Glenn Ligon named the album and painted its cover, while opener "Vanity" features Grammy winner Axelle Fanyo.

曼徹斯特／柏林雙人組 Space Afrika 帶著全新大作《Quiet Storm》回歸，擅長將 Ambient、Trip-Hop、Techno 與現代古典揉合成粗礪又細膩的都會 Dub 聲景。這次格局全面升級，把個人成長歷程化為一場深沉宣洩的抽象聲音旅程。當代藝術家 Glenn Ligon 破天荒親自為專輯命名並繪製封面，開場曲〈Vanity〉更邀來葛萊美獎得主 Axelle Fanyo 獻聲。

The soundtrack to "28 Years Later: The Bone Temple," scored by Hildur Guðnadóttir. Using bone instruments, a giant mammoth horn, string quartet and flutes made of bone, she crafts an extraordinarily dark, experimental score — suffocating, haunting, and heavier than almost any metal record in recent memory. Pressed on orange vinyl.

《28 年毀滅倒數：The Bone Temple》原聲帶釋出，由 Hildur Guðnadóttir 擔綱配樂。她以骨製樂器、巨型猛獁象角、弦樂四重奏與骨頭製成的笛入聲，創作出極其黑暗且充滿實驗性的配樂，令人窒息、縈繞心頭，堪稱比近年任何金屬樂都還沈重。橘色彩膠壓製，1 月 23 日發行。

The Bill Evans Trio classic "Sunday at the Village Vanguard," reissued by Craft on clear orange vinyl. This legendary June 1961 date at New York's Village Vanguard captures the telepathic interplay of Evans, Scott LaFaro and Paul Motian — a precious document made just days before LaFaro's death in a car crash.

Bill Evans Trio 經典《Sunday At The Village Vanguard》，Craft 官方發行透明橘色彩膠。這場 1961 年 6 月於紐約 Village Vanguard 的傳奇現場，捕捉了 Evans、Scott LaFaro 與 Paul Motian 三人心電感應般的互動，也是 LaFaro 車禍離世前僅數日的珍貴紀錄。